Void Duel Script
Musashi establishes a "no-nonsense" theme throughout the text. For instance, he repeatedly remarks that technical flourishes are excessive, and contrasts worrying about such things with the principle that all technique is simply a method of cutting down one's opponent. He also continually makes the point that the understandings expressed in the book are important for combat on any scale, whether a one-on-one duel or a massive battle. Descriptions of principles are often followed by admonitions to "investigate this thoroughly" through practice rather than trying to learn them by merely reading.
Void Duel Script
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Musashi describes and advocates a two-sword fencing style (nitōjutsu): that is, wielding both katana and wakizashi, contrary to the more traditional method of wielding the katana two-handed. However, he only explicitly describes wielding two swords in a section on fighting against many adversaries. The stories of his many duels rarely refer to Musashi himself wielding two swords, although, since they are mostly oral traditions, their details may be inaccurate. Musashi states within the volume that one should train with a long sword in each hand, thereby training the body and improving one's ability to use two blades simultaneously.
Go Rin No Sho are the teachings which Musashi preached to his students in his own dōjō. Though ideas are taken from other sources, the text is predominantly seminal. The five "books" refer to the idea that there are different elements of battle, just as there are different physical elements in life, as described by Buddhism, Shinto, and other Eastern religions. The five books below are Musashi's descriptions of the exact methods or techniques which are described by such elements.
"In-One Timing" refers to the technique of biding one's time until a suitable gap can be found in the enemies' defense, to which one will deliver one fatal blow to the enemy. Although this is said to be difficult, Musashi notes that masters of this technique are usually masters of the five attitudes because they must be perceptive of weaknesses. It is rumored that Musashi disgraced a former sword master by using such a technique with a bokken, but there are no descriptions mentioning "In one" timing.[citation needed]
"Continuous Cut" refers to when you are again faced with stalemate within a duel, where your swords are clasped together. In one motion, when your sword springs away from theirs, Musashi says to use a continuous motion to slash their head, body, and legs.
Although there are other methods, they are mostly situational methods relating to the crossing of rough terrain, and battling within such rough terrain. Although it spreads over two or more paragraphs, most information is common sense, relating to caution and avoidance of such situations.
Musashi notes that although most schools have secret and ancient strategies, most forms are derivative of other martial arts. Their similarities and differences evolved through situational factors, such as indoor or outdoor dueling, and the style adapted to the school. He indicates that his appraisal may be one sided because the only school he had interest for was his own, and, in a way, he does not see parallels to his own creation and work. However, he still admits that without basic understanding of these alternate techniques, one will not be able to learn Ni Ten Ichi Ryu, probably for reasons of finding the wrongs in other techniques, and righting them within yourself in Ni Ten Ichi Ryu.
The trilogy was underway; in December 2015, The Force Awakens was released to rave reviews, and earned over one billion dollars at the global box office. Episode VIII went into full production a short time later, while Trevorrow and Connolly continued their work on Episode IX. With filming completed in July 2016, and Rian Johnson working on post-production for The Last Jedi, everything seemed set for Trevorrow, who by December of that year had a finished script under the title Duel of the Fates, to get pre-production underway.
Upon arriving on Mortis, Rey has a vision of what happened to her parents. They were hunted down by Kylo Ren for bringing a child into the world that could pose a threat to his master, Snoke. Making their way to the Temple of Mortis from separate sides, Rey and Ren meet at the gates, and duel, blinding Rey in the process. As she falls to the ground, Kylo Ren enters the Temple only to find nothing there. Luke appears to him, declaring Ren has failed, while Rey reaches out into the Force, to her friends, and regains her strength.
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MethodProvider is very similar to API. In fact, API inherits it! So, why not just API? Because MethodProvider is a method provider. If you're not looking to build a custom API but you still need all those juicy methods, then use MethodProvider. For example, if your script design is based on a task/node system, then those tasks and nodes could extend MethodProvider. Your task/node are likely going to have a generic structure whereby no new methods are exposed to the public scope, and all instances of tasks and nodes are treated the same.
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